The dbx® 2-Series Graphic Equalizers have been designed to meet the needs of the most demanding sound reinforcement environments, while offering the simplicity of straight forward controls. The 215 not only provides standard features like dual channels, 15 2/3 octave bands, ISO frequency meters, +/- 12dB input gain range, and switchable 50Hz/12dB octave low-cut filters, but also includes other thoughtful features. These features include: 20 mm faders; selectable +/-6dB or +/-12dB boost/cut range for precise gain adjustments; XLR, and 1/4" TRS connectors for installation ease; balanced inputs and outputs for quiet operation; and chassis/signal ground lift capabilities for quick hum isolation. The visionary design of the dbx® 2-Series has been pursued to make your job easier.

The 2-Series represents a major step forward in the performance of entry-level graphic equalizers. From its amazing 10Hz to 50kHz frequency response, to its 108dB dynamic range, internal toroidal transformer, the 2-Series offers out of this world specifications wit a own to earth price point. Sure to find a home in the studio, on tour and with installed sound venues, the 2-Series is destined to take its rightful place in tHe lineage of great dbx® signal processors that are the professional's choice in signal processing. With such affordable quality, there's no longer any excuse for compromising your sound.

With a lineage extending back to the revered 12 and 20 Series graphic equalizers, the dbx® 231 easily lives up to the dbx reputation at a price point which can find a home in the tightest of budgets. Besides including two 31-band channels of 1/3-octave equalization, the 231 also offers ±6 or ±12 dB boost/cut range; XLR, 20mm faders and 1/4" inputs; nonconductive nylon sliders; and an intuitive user interface with comprehensive output and gain reduction metering. As always, the inevitable result of our meticulous attention to detail and top-quailty componentry is exceptional sound, performance, and reliability.

The 2-Series represents a major step forward in the performance of entry-level graphic equalizers. From its amazing 10Hz to 50kHz frequency response, to its 108dB dynamic range and internal toroidal transformer, the 2-Series offers out of this world specifications with a down to earth price point. Sure to find a home in the studio, on tour and with installed sound venues, the 2-Series is destined to take its rightful place in the lineage of great dbx® signal processors that are the Professional's Choice™. With such affordable quality, there's no longer any excuse for compromising your sound.  

Compressor

Most compressor/gates provide less than musical compression, coupled with gating that swallows transients—or closes early, cutting off decay and reverb tails. The superb engineering in the 266XL ensures that both its compression and gating provide versatility and excellent sonic performance in situations where other compressor/gates typically produce undesirable processing artifacts.

When using the 266XL’s AutoDynamic™ Attack and Release controls, artists and engineers will find that the center settings deliver classic dbx compression, while the full control range produces voicings that extend from slow “leveling” to aggressive “peak” limiting.

The Auto Dynamic™ circuitry continuously adjusts the actual attack and release times to optimally match the program material. Since users aren’t restricted to using the Attack and Release controls only in “peak” operation, they can tailor the response of the 266XL for individual tracks, mixed program material, special effects or system protection. As a result, production studios can use the versatile 266XL to replace multiple “single-purpose” limiters while sound reinforcement users can standardize on the 266XL for all of their applications.

The 266XL’s advanced gate circuitry uses a completely new, program-dependent timing algorithm to produce ultra-smooth release characteristics—even with complex signals, such as voice or reverb decays. dbx engineers went on to take advantage of the wide dynamic range and high precision of the dbx® VCA to design in an extra-wide threshold range and ensure top gating performance for each application.

Separate precision LED displays for gain reduction, compression threshold and gate threshold allow quick, accurate setup, while the 266XL’s intuitive operation lets users easily smooth uneven levels, add sustain to guitars, squash drums or tighten up mixes. In Stereo couple mode, the Channel 1 controls become Master controls, and Channel 2 follows precisely to ensure a rock solid stereo image—even with high amounts of compression. Professionals and newcomers will find that the 266XL sets up rapidly and musically the first time it is used, and every time thereafter.

The dbx® 266XL processor is the result of an intensive engineering and product development effort aimed at taking advantage of the latest and best advances in manufacturing technology to deliver true dbx audio performance and reliability to our customers at the lowest possible cost. The 266XL puts a completely new level of compressor/gate performance within everyone’s reach.

Crossover

Let's take a look at the construction features of the dbx® 223. At first glance, you'll notice the units are great looking. As you turn the controls something else becomes apparent; these units are extremely well built. The controls exude great precision, and the feel is a solid "click". Also, when you open the box, you won't find the external power supply that accompanies most processors in this price range. That's because we know how difficult external power supplies can be to work with and even though it costs a little more we put the high quality power supply right in the unit. All the inputs and outputs are TRS differentially balanced 1/4" jacks that are bolted down to the chassis. This "nutting down" of the jacks insures that even if someone stomps on a cable plugged into the unit, it's not going to tear up the circuit board inside. All dbx crossovers all feature Linkwitz-Riley 24dB per octave filters, the professional standard. But then again, what did you expect?

Via a switch on the back panel, you first select whether you're operating your system in stereo 2-way or mono 3-way. Then you also set, on the back panel, whether or not you want to mono sum the LF (subwoofer) out. (Most systems that use a subwoofer are mono subbed to take advantage of amplifier power and because low frequencies are non-directional.) Back panel switches allow you to select the range of the crossover frequencies individually for both channels. The crossover frequency controls have a green LED that indicates when the x10 switch on the back panel is activated (we wouldn't make you check the switch position on the back every time you wonder where it's set). All these switches are on the back panel because it could be disastrous if you were to change them mid-program. On the front panel you'll notice there are LEDs that indicate whether the unit is in mono or stereo mode. Each channel has an input gain control for proper level setting. There's a recessed 40 Hz low cut (HPF) on each channel to remove unwanted low frequencies. Both the low and high outputs on each channel have a gain control ranging from - to +6 dB to allow muting of individual outputs and for level matching. Also, these outputs each have phase reverse switches that will help get you out of a bind without having to reconfigure your system. These phase reverse switches may be internally reconfigured as mute switches.

You'll get great performance, all the features you'd expect from a professional product and the knowledge that you're buying a processor from the people that have been producing the worlds finest processors for over 20 years. The technology that made us famous brings you a dbx crossover that has been tested to the highest professional standards at a price that's just too low to admit!